i’m really glad you guys understand how important this is
Just another one training
Mickey Milkovich (rivetingly played by Noel Fisher) first made his mark in an unexpected Season 1 sexual encounter with teenage Gallagher son Ian (Cameron Monaghan). Ian, established as gay early in the series, receives tacit support from the handful of family members and friends to whom he comes out. Mickey, by contrast, is a profoundly closeted neighborhood thug: a belligerent, grubby kid with the words “FUCK U-UP” tattooed on his knuckles … who also happens to be an exuberant bottom. However, instead of writing off this hook-up as another one-time moment of comedic outrageousness, Shameless has made Mickey’s arc a surprisingly sensitive one, examining the impact of poverty and family violence on the character’s life.
Mickey has been raised in a household ruled by terror. The Milkovich brood is overseen by tyrannical father Terry, who is often out of sight (thanks to frequent incarceration), but never far out of mind. Mickey’s appearance is disheveled: at times visibly dirty. His speech is littered with wisecracks and put-downs. He’s cagey and mean and picks fights. All of these at-once repugnant qualities are undercut by viewers’ slow, sobering realization: This is how an abused child survives. Because, as we discover in both subtle clues and scenes of explicit brutality, Terry’s hairpin trigger rage is calibrated to fire at any mention of homosexuality.
… In tiny increments since his first encounter with Ian, and at clear risk to his own safety, Mickey has pushed himself further and further past his fear. We are reminded of the time Mickey, returning from a stint in juvenile detention, greeted Ian with a deceptively terse, “Missed ya.” Of Mickey and Ian’s first kiss, hurried and nervous, long after they began meeting for sex. Of the futile, single-word plea – “Don’t” – when Ian told him he was enlisting in the Army. Of Mickey’s hesitant response to a stranger who asked, of his relationship with Ian, “Did you guys just meet last night, or are you together?”
Finally, after a pause: “Together.”
This, all of this, is what coming out looks like. And this is what Mickey Milkovich’s relevance truly hinges on: not only an acknowledgment of the suffering and self-denial that is still a reality in the lives of many LGBTQ people; but the validation that coming out is not irrelevant or passé or an all-or-nothing game. No matter how small and unwhole these acts of disclosure may seem, they are still brave."
anonymous and vltron asked: buckynat or stevebucky?
"Never even realized how lost I was without her. But I always was. Just some lost soldier who forgot he ever had a home.Until she gave me one."
Apparently this is "The clearest photo of Mercury ever taken."
why isnt everyone getting so excited about this, it is literally another planet look at how beautiful it is stop what your doing and look at how alien like this planet is what is living there oh my god mercury
CA:TWS, as a film, was a fantastic exercise in putting genuinely decent and optimistic characters (except for Steve himself, at this point, but we can go into that later) up against a nearly ripped-from-the-headlines plot that distills a lot of this country’s cynicism and negativity, particularly in my age group. More than any of the other MCU films, I think this was aimed directly at us, the people in our late teens and twenties and early thirties who sometimes start crying on the toilet because not only will we never be able to stop working our terrible service-industry jobs, we will also never be able to make a safe and comfortable world for the kids who come after us, or take care of our parents when they need us. On top of all that, we’re in this lame dystopian surveillance society where the government hates us, military force has taken the place of diplomacy and stuff like drone warfare is something we’re supposed to just accept, like it’s not horrifying. It’s a story specifically for my generation to try and find some solidarity with.
Which is a pretty ballsy play for a movie with a main character that’s 95."
Y’all, I truly don’t have enough time on this planet to explain to you how subversive CA:TWS is. Layers on layers of CSPAN debate and Daily Show punditry packed into a 2.5 hour movie about superheroes. We’ll be studying this movie one day in film and culture classes. It is streets ahead.
IM FUCKING SCREAMING
IM IN FUCKING STITCHES
the only thing funnier than this video are the comments on it
THIS IS WHY I ONLY DATE JAPANESE GIRLS